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Day 2 of my One Thing Challenge (does it count if it's not daily?); I did this while watching CSI: NY... I kinda like how the side-view turned out, although I know I have much to work on. 

In other news, I must share what I found in Kinokuniya the other day: an edition of Pride and Prejudice with a hand-painted cover design:


Back cover, with a quote from Mr. Darcy; everything is just so pretty!
Sterling Publishing came out with a new line of classics with these hand-painted cover designs, done by Aura Lewis. The others I saw were Sense and Sensibility, Jane Eyre, and Wuthering Heights; I wanted to get them all, haha! They're relatively inexpensive too (about $10), but I thought of getting this novel in particular since I've always wanted to read Pride and Prejudice. When my mom saw it, she asked me, "Are you going to join the Austen Club now?" :))

That's it for now. I'll post soon, with a new illustration I've been working on. Toodles! ♥

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So this is the first attempt of the One Thing Challenge I mentioned in my previous post. I'm so ashamed of it, haha! 



I can never get those facial proportions right. Whenever I draw faces from imagination, they always come out cartoony somewhat. I used to doodle such cartoon faces back in high school, and in college for a while, on my planner. Who knows, this could be my one thing, but, being partial to realism, I'm still iffy about it.

In other news, I recently bought brand new Daler-Rowney Langton 300gsm watercolor paper (I'm really into watercolor now!), and I'm just itching to try it out, so I got started on another sketch for a potential painting, using a model as usual.



Since Langton paper isn't really recommended for beginners (a.k.a. yours truly), and it's quite expensive, I'm trying out this sketch-transferring technique I picked up from tutorials posted on deviantART; basically you lay out a preliminary sketch of your work on a sheet of simple paper, then transfer it cleanly onto watercolor paper so as to avoid any potential damage of the watercolor paper. I thought I'd give it a go since I am quite fond of murdering paper through erasing. So far I'm finding the task fun!

A long time ago I came across an interesting quote which I think is applicable to my artistic situation now, and which I think every artist, especially myself, should adhere to,

Don't think about making art, just get it done. Let everyone else decide if it's good or bad, whether they love it or hate it. While they are deciding, make even more art. {Andy Warhol}

Cheers ♥
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Eep, I suck at watercolors :(


Hello, everyone! I mentioned in my previous post that I'd talk about watercolor pencils; the ones that I have (or borrowed, rather) are a 36-pencil Derwent set, one of my favorite brands of art pencils. 




Now, watercolors have never really been my forte (and I don't think they ever will be!), but I find these watercolor pencils easy to handle because they act just like ordinary pencils, which I'm already familiar with. Funny thing is, though, I use them like anything but pencils; the way I paint with them is the way I paint with my acrylics, that is, straight from the tube - or, in this case, straight from the tip of the pencil. 



They're fun to use, but of course they've got their cons; for one thing, they're not really suitable for drawing details, especially if you're using textured paper - which is most watercolor paper, really. Even if I sharpen the pencils to a point, (for which I always use a blade/ cutter rather than an actual sharpener; you lose less lead that way, apparently), they still leave a rather granulated trail on the paper. Also, when you wet a particularly large penciled area, the lead tends to bunch up at the edge of the water, creating an outline darker than the rest of the area, and this becomes a problem especially when you want to do some smooth overlapping:



Thus I stick to taking the paint straight off the pencil tip; it achieves a much cleaner effect, in my opinion. But I'm not really one to talk, I actually think I suck at watercolors. For the painting above, I was completely unsure of myself when I was working on it; there were so many times I paused and thought, 'What am I doing?' I'm sure you can see my struggle in the painting; the face is completely botched because I had/ have no idea which colors constitute to skin color. Well, it's fun to do, nonetheless, enough for me to continue painting it to its finish.  I still enjoy myself for the most part, and at least I get some practice out of it. I'm definitely going to try more; can't let all those pencils and watercolor paper I bought go to waste!

By the way, I made a Flickr account for my artworks; I have some artworks posted there that can't be seen in this blog, so please check them out here! :) Also, a very BIG hug to my new followers, I'm so happy you like my work! Please do drop a hello now and then :) Take care!
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Wow, I haven't blogged in a while, and I owe it all to the swirling black hole of stress that was finals week(s), which ended just today actually, with the submission of a poor excuse of a philosophical paper. Finally, it's sem break! 

I am currently about eight hours away by plane from Manila, in Dubai, the country of my childhood: Dubai, land of sun, sand, and shawarma. I'll be here for the entire duration of my sem break (which actually started last Saturday; the philosophical paper I submitted yesterday was an extension). It's so good to see the family again, especially since for the first time I'm with my beautiful, adorable baby niece, Meigan. About two days ago I got and took the chance of sketching her as she wondered along in Dreamland. She is such a cuuute baby, absolutely irresistible (although my sketches don't do her justice at all).



It was fun practice, drawing her; it was like a live model sketching, and every so often Meigan would fidget in her sleep so I'd hurry to finish whatever sketch I was working on before she moved. But really, I could watch her all day long; she is such a doll. 

On an unrelated note, I brought my sister's watercolor pencils along with me; I'd just recently discovered them back in the house in Manila, confined in a web of dust in some corner, and attempted to actually use them in my art. I'm still seeing how things are panning out, but so far, I think I can say, watercolor pencils are awesome. I'm planning to render some sketches of Meigan in watercolor, but once I get the hang of them, I'll post up a blog about it. At least I can relax now, and take time to work on my art (oh, how I've missed art!). For now, toodles!
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Another result of procrastination!




I love how vintage/ pinup the girl looks (copied her off a local magazine and just superimposed a thing or two), especially with her curly hair. I just had to add the curly leaves and flowing ribbons into the drawing to compliment the girl's overall look. The black cloth was just an afterthought; it's supposed to be her garment, but it looks more like a pedestal for her head. Anyway...

On a side note, I should definitely make this whole 'detailed doodle' post a weekly thing; there's nothing I love more than rewarding myself for studying with a moment of drawing.

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The result of a 3-4 hour break from studying:




I used the stock of Faestock for this piece, she has such lovely stock photos!
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It is not how much you do, but how much love you put in the doing. {Mother Teresa}




I still can't believe I drew the one above; I think the immense amount of free time helped (this was done during my year-long break from school in 2008, prior to university); and I admit I cheated a bit (I used a grid for this one; I copied it from an ad in Dubai's Friday magazine); but still, looking at this drawing just makes me wonder why I don't do leisure drawings like these anymore.

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Last Sunday I was able to attend my first ever formal sketching session, and it was a challenging but absolutely thrilling experience. Organized by Valerie Chua and Feanne Mauricio (both so talented and so pretty!), the session was held at Arts in the City, a quaint, multipurpose art center that sits snuggly along 26th Street, Bonifacio Global City. 

It was a session for nude model sketching - which was why I, faced with the opportunity of improving my drawing skills as well as the chance to draw my favorite subject (i.e. women), was only too eager to join (I was actually the first attendee to arrive, so funny). 

After small friendly exchanges between artists and hostesses (we were less than twenty all in all), the session kicked off with a gentle murmur of excitement. We were to draw the model in different poses, in gradually lengthening spans of time, from three-minute sketches, to thirty-minute sketches. Below are my five-, ten- and thirty-minute sketches (I'm too embarrassed about the quicker ones; I discovered to my horror that I actually suck at doing quick sketches):


This is my favorite one!



I did absolutely no justice to the model at all; she possesses a very unique beauty, and I couldn't quite capture her sleepy eyes or her round torso that well - not to mention the various skin depressions and muscle contortions. I found that my weakness lies in drawing large, general shapes (I tend to focus on details), proportioning, and basic anatomical recognition. I have a lot to work on, I hope I do improve eventually, with loads of practice! 

I am so grateful that I was invited to attend such an event; I wasn't able to really mingle with the other artists present (I loved how dressed themselves up that day; so artsy) but next time I will. It was fun watching them use different mediums such as charcoal, ink, and paint. Thanks again Val and Feanne, I hope you continue to hold similar sessions in the future! 

To all those interested in the session, visit their page. Have a lovely day, everyone!
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All images displayed, artwork and non-artwork alike, belong to Lavina Marie Verdolaga unless stated otherwise, and cannot be used or reproduced by any person or company without permission from the author.

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