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The Art of Lavina Marie

Pardon the outburst, but I ONLY HAVE THREE WEEKS OF SCHOOL LEFT. :O After that, I can officially call myself a college graduate, ready to dive headfirst into that crazy world they call work. I'm excited and impatient at the same time, especially since we just finished having our graduation and yearbook pictures taken. I thought I'd share my creative shot, which I'm particularly proud of:


I rushed the self-portrait the night before the shoot, so I have my doubts as whether it looks like me or not. Still though, I love that I managed to get it done; I had this idea for my creative shot planned out since my sophomore year. The only thing I don't like about how the pictures turned out is my hair; the way they fixed it, I looked like one of those madames from the sixties with the towering crowns, only more egg-like. I'm just glad my hair wasn't long enough to make an entire skyscraper out of it. In any case, I won't post it here to preserve my dignity.

Anyway, I've been so busy with schoolwork, it's reached a point where I'm literally struggling to stay focused. I've barely any time to do art, although here's one that I managed to squeeze in recently:



This is a new watercolor painting I'm currently working (or trying to work) on; I thought I'd skip the faerie element this time and take a whack at painting something more along the lines of contemporary illustration. Another take on that whole drawing-from-imagination bit I'm trying to practice. I really think I lack that particular lobe in my brain that shoots forth creative juices... or maybe it just preconditioned itself to work only for strictly academic purposes. 

It's difficult conceptualizing a work of illustration; I admire those artists who  place splotches, streaks and whatnot in strategic locations around a painting and pull it off. But maybe I'm just having difficulty because illustration has never been my forte. 

I'll try to update this blog again soon, I've got loads of things I want to share, like new art books, and my first official publication! :) Toodles, take care, reader!

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Last month, my former Fine Arts professor approached me with the verbal invitation to a painting workshop, to be held in November within the school's walls. She imparted a vague description of the workshop, leaving me with the impression that it would be conducted by sixteen Chinese painters (I was thinking, wow that's a lot). However, I finally received the actual invitation via Facebook just the other day, and I discovered that it's a workshop on basic Chinese painting; and I still don't know if there are going to be sixteen painters hosting, but in any case, I'm excited for it! I've never attended a painting workshop (that I can recall).

In addition, I was asked to contribute an artwork for a Rizal exhibit that will take place also this month, at school as well. I'm already beginning to conceptualize my piece, but only fragments; I'm wondering how I'm going to portray my homeland's national hero when I only know so much about him! In any case, I'm trying to draw inspiration from several images, including this one:



I took this photo last January during an excursion to Rizal Park in Manila, specifically the Ang Pagpapakabayani ni Dr. José R. Rizal or The Martyrdom of Dr. José P. Rizal portion, which is an impressive outdoor display of bronze sculptures depicting climactic scenes in the final moments of Rizal's life. The one above dominates the center of the entire area, the highlight of the largest collection of sculptures that showcases Rizal's moment of immortalization: his execution. This singular sculpture is unnerving: arms helplessly flailing, face turned to the heavens in an expression of pained release, as bullets speed into Rizal's back... it's an incredible work of art. I plan to portray this man in paint, but I hope I can even capture a sense of what he means to the Philippine people.

On an ending note, I'll be starting my second (and last, eep!) semester in a couple of days. I can't wait, I'll be learning more interesting stuff! :D
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All images displayed, artwork and non-artwork alike, belong to Lavina Marie Verdolaga unless stated otherwise, and cannot be used or reproduced by any person or company without permission from the author.

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